B u l l e t i n Number 58, January 2006 - Year VI

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N e w s  

Power Systems Unit continues innovative developments for EFACEC
The Information and Communication Systems Unit projects Broadband Network
The Manufacturing Systems Engineering Unit starts ProNIC project
Telecommunications and Multimedia Unit “negotiates” with the Rectory of the University of Porto
Optoelectronics and Electronic Systems Unit closes 2005 with a new PhD
Mainstreaming of good practice in the Telecommunications and Multimedia Unit and in the Power Systems Unit
The Communication and Informatics Service offers VPN access to the Faculty of Engineering of University of Porto and Faculty of Sciences of University of Porto
Collaborators approve BIP
Communication Service announces results of the survey
Legal Service welcomes Law trainee
New People
Russian Roulette

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H I G H L I G H T

The Telecommunications and Multimedia Unit succeeds with Enthrone project

The box that changed the world is increasingly digital

The Telecommunications and Multimedia Unit (UTM) is involved in a great European project in the area of Digital Television, in which twenty-six European institutions participate. ENTHRONE’s objective is to develop a solution of integrated management that covers the whole chain of audiovisual distribution. Among other functionalities, it is going to enable the usual viewer to consume his favourite TV content, wherever he is and whatever the equipment he is using.

The project
ENTHRONE (Integrated Management of Content, Networks and Terminals) is an IP (Integrated Project) approved for financing in the first IST contest under the Sixth Community Framework Programme (IST theme area, strategic objective 2.3.1.8 “Networked AudioVisual Systems and Home Platforms”).

The ENTHRONE project proposes an integrated management solution which covers an entire audio-visual service distribution chain, including content generation and protection, distribution across networks and reception at user terminals, guaranteeing quality of service. The main clients of The ENTHRONE’s main customers will be service suppliers such as broadcasters, network operators and companies that aggregate contents, among others.


The consortium
This is a great project, in which twenty-six European institutions are involved. Some stand out from these due to their relevant role in the area of Digital television: Thales Broadcast Multimedia, NEC, Rhode & Schwarz, Optibase and NDS (manufacturers/suppliers for the whole chain of required systems and equipment), TeleDiffusion de France, ORB and IRT (content providers and broadcasters), France Telecom and T-Systems (network operators).

The consortium also includes a number of research institutions in relevant areas such as Quality of Service (QoS), video encoding and streaming, distributed systems and information systems. INESC Porto is one of these institutions, with a team of seven collaborators from the Telecommunications and Multimedia Unit: Teresa Andrade (person in charge), Pedro Souto (scientific coordinator), Pedro Carvalho (technical coordinator), Catalin Calistru, Daniel Oancea, Hélder Castro and Lucian Ciobanu.


Time
Teresa Andrade explains that the project was expected to last four years. Although the work programme has been approved for this period of time, only the first two years were granted financing. When this initial term was over, the consortium should have submitted a new proposal for the following two years. This happened in April 2005 during IST-FP6’s fourth contest, when the project was only two years old.

The second proposal was initially approved by the Committee in July 2005. However, “the results of this contest were later annulled by the Committee due to alleged irregularities in the process of evaluation and selection of proposals”, according to Teresa Andrade. Consequently, an extra contest was open in October 2005 for strategic objective 2.3.1.8 where the fourth contest had been annulled.

A Portuguese partner
ENTHRONE consortium submitted the proposal for another two years again, but this time with a reinforced consortium in the areas of MPEG-21 and terminal applications.

It should be noted that in case the ENTHRONE2 project is approved, INESC Porto will count on a Portuguese partner, Octal TV. This partnership can prove to be very interesting for UTM since Octal TV will be able to market components developed in INESC Porto in the applications of Digital TV (Octal TV is the provider of Cable’s Set Top Boxes).

History
The project started in December 2003. For this first stage, the objective of the project was to develop a prototype of an integrated system for the management of the whole audio-visual distribution chain, from content generation (MPEG-2, MPEG-4, advanced and scalable profiles), annotation and content aggregation and distribution, until the end user.

After two years, ENTHRONE developed a set of tools that allow for the support of end-to-end quality of services in audio-visual services through heterogeneous distribution networks, considered in relation to safety aspects, rights of use and intellectual property, context of use, characteristics of the receiving terminal and profiles/preferences of the user.

The achievements
In order to achieve these objectives, the project developed an integrated management and supervision system based on distributed technologies and using rules and open formats. It was particularly based on the rule and MPEG-21 model which contributes directly to the implementation of the “Universal Multimedia Access” (UMA) concept, in order to enable the transparent access to multimedia resources through heterogeneous domains, from any type of terminal or network. This supervision system, named IMS (Integrated Management Supervisor) was designed and developed partly by the UTM team.

The project completed its first two years of life in November 2005 but it was granted a three- month period of extension. Although the developments were practically finished, there was still the phase of integration and testing of the different modules developed by different partners and trial of the applications in different demonstration places.

UTM’s role
UTM is presently waiting to receive components of the partners in charge of the audio-visual content generation (Optibase – Israeli manufacturer that creates MPEG-4 PCI encoding plates) as well as the ENTHRONE terminal (EPFL and Bsoft – Italian company that develops MPEG-4 players).

UTM’s team was responsible for the development of the ENTHRONE’s integrated supervision system (IMS) which is the central subsystem of the entire platform. It is a modular system made of several services accessed externally (through Web Services technology using SOAP and WSDL) and internal functionalities accessed through well-defined APIs or even as Web Services.

The Demonstrators
Four demonstrators are being set up with the technology developed by ENTHRONE which are expected to function in February this year. Berlin’s demonstrator is in the area of interactive digital TV for the final user. Munich’s demonstrator consists of an application of digital TV contribution (connection with quality of service between TV studios).

Metz demonstrator involves distribution through DVB-T diffusion and multimedia content for mobile terminals via UTMS. Finally, the Athens demonstrator will function in laboratorial environment, aiming to test the ENTHRONE platform in network environments with a high degree of heterogeneity.

The difficulties
When questioned about the greatest difficulties she has encountered in the development of the project, Teresa Andrade admits that, because the consortium is so big and the objectives of the project are so wide, in the beginning it was hard to establish an understanding that was common to all the partners of the consortium about the basic concepts and specific objectives of the project. “Especially the objectives of the work package leaded by us”, she says.

UTM’s team had a considerable amount of work with this project since they were responsible for the central work package. It was necessary to keep a constant cooperation with almost every other work package and sometimes it was hard to establish the boundaries and impute responsibilities. Further more, Teresa Andrade reveals that “it was always hard for us to manage the cooperation (on time) of some of the great partners”, she goes on to say that “I believe this is (more or less) typical of big IP projects that are not led, in technical terms, by the great industries”.

An added value to INESC Porto
Teresa Andrade is sure that if the knowledge and experience obtained in the area of multimedia content management, MPEG-21 (description and adaptation of multimedia contents) and Web services are going to put INESC Porto in a privileged position to take part in new research projects with internationally known partners. Second, the researcher believes that some of the software developments performed during the project can give rise to products, as long as we can establish partnerships with the industry of the audio-visual area (for example Octal TV or Novis).

Besides the traditional market of the broadband audio-visual services such as TV, Teresa Andrade considers that INESC Porto has won the capacity to intervene also in the sector of mobile communications and in the IP world in general. She admits that “some of the components developed, such as a browser for Digital Items, may run in different types of terminals, from PCs to STBs, as well as PDAs and mobile phones. The component that makes it possible to take the decision about the need to adapt content can also have a wide area of use”.

The Future is digital
The results of the special contest for the prolonging of ENTHRONE for two more years have not been published yet, but the evaluation process on behalf of CE is in course. This is why the future of the project is still unknown. Even so, Teresa Andrade is convinced that this project has already stepped towards the development of Digital Television, because it offers tools that enable the multimedia contents distribution to become more efficient and personalized.

ENTHRONE is also a means towards the simple and transparent extension of the TV content distribution to other market strips. The content generator has the possibility to expand the market and offer the services to a bigger audience and for that, it is not necessary to create several versions of the same product. On the other hand, the usual viewer can consume his favourite TV content, wherever he is and whatever the equipment he is using. This is achieved in an almost transparent way, this is, there is not a never-ending number of complicated operations in its terminal.



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